Isaac Pool (Detroit, 1988)
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Desarrolla su trabajo desde una perspectiva ambivalente, su relación con “ser político” la aflora a través de su alter ego: Sally. Sally puede ser cualquiera, puedes ser tú. Preocupado, a menudo por dos puntos de vista opuestos. Utiliza el pronombre femenino en todo como un posicionamiento político, siendo la formalización de sus obras lo que menos le pueda preocupar del todo el proceso creativo, por ello tienen cabida las piezas sonoras, escultóricas, fotográficas, el performance o una página web. “El exceso es un gesto importante, a menudo, sintácticamente mal ententedido” afirma Pool.
He develops his work from an ambivalent perspective, his relationship to be “political” emerges through his alter ego: Sally. Sally can be anyone, could be you. Worried, often by two opposing points of view, uses the feminine pronoun as a political statement, being the formalization of his work the least he can worry about the whole creative process, so he can use sound, sculptural, photographic work, performance or webpage. “The excess is an important gesture often misunderstood syntactically” says Pool
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